SHE IS CHAINED TO THE EXACT SAME PERFORMANCE AGAIN AND AGAIN AND AGAIN. WE CONTINUE TO WATCH HER PERFORMANCES IN HOPES THAT SHE’LL DO SOMETHING DIFFERENT BUT SHE NEVER DOES. THESE TYPES OF PERFORMANCES ARE FOR ARTISTS LIKE THE BRITNEY SPEARS AND CIARA. NOT TO IMPLY THAT B CAN’T DANCE OR HAS ANY CHALLENGE WITH THE MOVEMENTS BUT THAT BY DOTTING EVERY I AND CROSSING EVERY T SHE ROBS US OF SASHA FIERCE, THE ALTER EGO AND CONFLICTING PERSONALITY THAT IS THE REAL CENTER OF HER FAN BASES’ WORSHIPĪFTER SEEING HER JET SET ON STAGE LIVE FOR THE 4TH TIME MOST OF US WERE BORED… THE PERFORMANCES ARE MECHANICAL AND PLANNED DOWN TO BEYONCE AND THE OTHER 2 DANCERS POINTING TO THERE RING FINGERS AS THE BAND PRODUCES THE FINAL NOTE. ONCE WE WERE ALL INSPIRED BY THE CHOREGRAPHY THE SONG BECAME A MAINSTAY, WHICH IS EXACTLY WHY ITS #2 ON BILLBOARD THIS WEEK AND WILL QUITE POSSIBLY DE-THROWN THE SEEMINGLY EVINCIBLE T.I AND BECOME BEYONCE’S 5TH #1 SINGLE AS A SOLO ACT.
SASHA WAS INDEED FIERCE WHICH INTENTIONALLY STRENGTHENED THE SONG, MAKING IT MUCH HOTTER THAN PREVIOUSLY PERCEIVED. FAST FORWARD TO THE VIDEO’S DROP: THE CHOREOGRAPHY WAS SURPRISINGLY HOTT AND WE HAD NEVERRRR SEEN BEYONCE DANCE SO MUCH.
NO ONE LOVED “SINGLE LADIES” WHEN IT FIRST HIT RADIO… EVERYONE THOUGHT IS WAS COOL BUT WEREN’T ALL THAT IMPRESSED BY IT.
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